Relicensed All My Flickr Photos – Please Reuse!

After some thinking I’ve decided that my previous choice of the Creative Commons “attribution, non-commercial use, share-alike” (BY-NC-SA) license doesn’t really square with my feelings on free-software and culture in general, so I’ve taken the plunge and relicensed all my photos on Flickr under a simple Creative Commons attribution (BY) license. This means you can reuse any of my photos for any purpose, whether you make Linux distributions, want to make a collage, are looking for media for an advertisment, anything. I’d really get a buzz if you do use them, all I ask is that you credit me.

Here’s a couple of examples (there’s over 500 there as I write this!):

Bee Line Partial lunar eclipse from Melbourne, 26th June 2010 DSC_0079.JPG Senator Kate Lundy talking about Gov2.0 at SFD Melbourne Tree Fern DSC_0162.JPG

DSC_0017.JPG Steve teeing off on Iains birthday round of golf at #Olinda Geeks with phones DSC_0038.JPG Ladybird DSC_0054.JPG

Software Freedom Day Melbourne Photo Shoot

Last week I was invited to take some publicity shots for the Software Freedom Day Melbourne crew at the State Library of Victoria Experimedia centre. Asides from occasional complaints from my camera (the infamous Nikon ERR CHA happened 3 times) I managed to get about 200 shots which I’ve whittled down to 26 of the best and put them up as a set on Flickr.

DSC_0162.JPG DSC_0021.JPG DSC_0165.JPG

All done with free software (well, asides from the firmware in the Nikon D90) – Digikam rocks! ๐Ÿ˜‰

Making Meaning – Exhibition of Photography

Making Meaning is an exhibition of figurative, abstract and photographic works by my lovely wife Donna Williams and myself, Chris Samuel. We spent about 4 hours today at The Bakery, part of the 1812 Theatre in Upper Ferntree Gully in Melbourne setting it up whilst the crew of the 1812 finished off creating a set for their next production and distracting me with coffee and cake. ๐Ÿ™‚

Our exhibition runs from the 5th August to the 4th September on theatre time, which is (as our flyer says):

Wed-Sat: 8.30รขโ‚ฌโ€œ11pm,
Sun: 4รขโ‚ฌโ€œ6.30pm then 8.30-11pm (except 22nd Aug)

As a sneak preview here is the layout of my photography:

Exhibition setup at 1812 Theatre - my photos Exhibition setup at 1812 Theatre - more of my photos

and the layout of Donna’s paintings:

Exhibition setup at 1812 Theatre - Donna's paintings Exhibition setup at 1812 Theatre - more of Donna's paintings

Thanks again to the 1812 crew for making us feel welcome and at home and even feeding us lunch!

Nick Crane’s Britannia and Floating Islands in Snowdonia, Wales

Watched the first episode of Nick Crane’s Britannia, about England and Wales, and was interested to see a section about Snowdonia which implied that William Camden, the Elizabethan author of the original Britannia, had said that there were was a lake there which had a floating island in it. It implied that Camden would have come across this story by talking to cattle farmers of the area on his travels through North Wales. But that doesn’t seem to be the case at all, in fact the English translation of Camden’s own text says:

Neverthelesse, so ranke are they with grasse that it is a very comon speech among the Welsh, that the mountaines Eriry will yeeld sufficient pasture for all the cattaile in Wales, if they were put upon them together. Concerning the two Meare [lakes] on the toppe of these, in the one of which floteth a wandering Island, and in the other is found great store of fishes, but having all of them but one eye apeece, I will say nothing lest I might seeme to foster fables, although some, confident upon the authority of Giraldus, have beleeved it for a verity.

In other words he was just quoting Giraldus Cambrensis who, in his “The Description of Wales” (1194 CE), wrote:

the latter of which are said to be of so great an extent, that if all the herds in Wales were collected together, they would supply them with pasture for a considerable time. Upon them are two lakes, one of which has a floating island; and the other contains fish having only one eye, as we have related in our Itinerary.

Even then Giraldus is just summarising what he wrote in his “The Itinerary of Archbishop Baldwin through Wales” (1188 CE), where he says:

On the highest parts of these mountains are two lakes worthy of admiration. The one has a floating island in it, which is often driven from one side to the other by the force of the winds; and the shepherds behold with astonishment their cattle, whilst feeding, carried to the distant parts of the lake. A part of the bank naturally bound together by the roots of willows and other shrubs may have been broken off, and increased by the alluvion of the earth from the shore; and being continually agitated by the winds, which in so elevated a situation blow with great violence, it cannot reunite itself firmly with the banks. The other lake is noted for a wonderful and singular miracle. It contains three sorts of fish – eels, trout, and perch, all of which have only one eye, the left being wanting; but if the curious reader should demand of me the explanation of so extraordinary a circumstance, I cannot presume to satisfy him.

So sadly it appears that William Camden was just referring back to a text that was almost 400 years old when the first edition of Britannia was published in 1586.

The Tragedy of War

From the Australian War Memorial uploads to the Flickr Commons project.

Studio portrait of 1626 Private (Pte) Walter Henry Chibnall, 10th Light Trench Mortar Battery, pictured with his son William Beresford (Billy) Chibnall

Studio portrait of 1626 Private (Pte) Walter Henry Chibnall, 10th Light Trench Mortar Battery, pictured with his son William Beresford (Billy) Chibnall. […] He was killed in action at Passchendaele, Belgium, on 12 October 1917, aged 32 […] Pte Billy Chibnall enlisted during the Second World War, serving with the 2/21st Battalion. He was taken prisoner of war and died, aged 30, on 20 February 1942 at Ambon.

Very sad.

First Solo Photo Exhibition!

I’ve been doing photography for over half my life now (( there’s a scary thought! )) and after having my first ever exhibition jointly with Donna recently I’ve now ended up with my first solo exhibition!

I’ve got 5 large prints and 7 small ones (all framed limited editions) on view at the “Cafe Have Ya Bean” in Upwey, so please do come and see it. It’s a lovely place run by Terry and Liz, nice food and they do a great cappuccino! ๐Ÿ™‚

Time Team – Friars Wash – Post Excavation Report

Having just watched the first showing of the Time Team Friars Wash dig on the ABC I went searching for any post excavation reports and managed to find one on Scribd written by Wessex Archaeology (where W.A. seem to be putting up a number of reports) which has some interesting follow ups to what’s seen in the program, for instance:

  • It now appears there were likely three temples and an ancillary building, not the four temples talked about (and even then they’re not sure whether the circular building was a temple or a shrine).
  • The lead items thought to be “curses” (lead sheets with writing folded up and deposited at temples) turned out to be, sadly, more likely fishing weights as they were not comparable with previously found “curses”.
  • Whilst they found a lot of coins in Trench 4 (22 all up) calling them a hoard is apparently “tentative”.
  • There are apparently no “direct parallels” of the enamelled broach they found, and it could be 2nd century CE.
  • They found 7 (fragmented) pig jawbones in the sondage through the floor in Trench 1!
  • The closest parallel to the dual temple structure is at Mont de Sene in Burgundy

You can download the PDF of the report if you login to Scribd (they support OpenID, but not OpenID redirections like WP-Yaddis can do to WordPress.com, etc).

Google Student Photography Prize

Google is running a photography competition to develop themes for iGoogle in conjunction with the Saatchi Gallery London for higher education students around the world. You’ll need to submit 5 photos to make up a theme.

36 shortlisted students will get their photos turned into iGoogle themes, 6 finalists will get exhibited at the Saatchi Gallery and the winner will get a GBP 5,000 bursary and a day with the documentary photographer Martin Parr. Entries close 31st May so if you’re interested (and eligible) you’d better get your skates on!