Time Team on the ABC!

One of the things I miss moving from the UK to Aus was the TV, here we’ve only really got 2 channels worth watching (ABC and SBS), the commercial channels are awful – poor content, poor presentation and (deliberately) poor timekeeping – fortunately I’ve never watched a lot of TV!

One of the gems of UK TV is Time Team from Channel 4, an archaeology program showcasing a 3 day excavation from random peoples gardens where interesting artifacts have been found to prominent archaeological sites. A great bunch of characters and always interesting and I’ve missed it a lot.

But now it’s arrived down under! The ABC are showing it on TV on Tuesday nights at 6:10pm (though I missed the first one through being at a LUV meeting). Can’t wait!

Time Team team

OpenRAW – Fighting to Preserve Digital Photographs

I’ve been using my Nikon D-100 for a while and occasionally I use RAW mode when I’m taking photos of things like Donna’s paintings which will have prints made of them for sale because they’re lossless and retain much more information from the CCD than other image formats. The rest of the time I shoot in JPEG as they’re holiday snaps and it just works.

However, RAW formats are proprietary – each vendor will have many different versions as their cameras evolve and they want to add all that new shiny information into them. These undocumented formats then need to be reverse engineered by the open source community to make them usable outside of proprietary information silos – for instance Dave Coffins dcraw program supports over 208 cameras so far – but because the formats are completely undocumented there’s no guarantee of a complete implementation!

So, this brings us to OpenRAW billing themselves as “Digital Image Preservation Through Open Documentation”. Why should we worry ? Well, how about this :

Photographers will find their older images inaccessible, as future software versions lose support for older cameras. In the worst cases, entire brands may disappear, as has already happened with Contax.

and

In some cases manufacturers have even encrypted the data within newer RAW files. Intentionally or not this encryption has placed full access to the images stored in these files out of reach of the photographers that took them. Unless, of course, they limit themselves to tools sold by the camera manufacturer.

So it’s the same issue as it is for proprietary document formats, once the vendor moves on and looses interest in the older formats you may find that you have problems properly accessing (or even accessing at all) the contents of those proprietary files. Simply put, the photographer does not fully own his photograph in this format.

OpenRAW argue (correctly, in my opinion) that camera makers will not consent to use a single, standardised, RAW format, but their solution is pretty simple:

We want camera manufacturers to publicly document their RAW image formats — past, present, and future.

Personally I’ve got to agree, can you imagine being an archivist 100 years from now trying to access RAW photos made by a company that may not exist & written by people who are dead when you have no access to the source code or documentation ?

Wonderful Photography

Joseph Holmes – Natural Light Photography

Category: Personal site

Topic: Photography

Overall rating: 4 out of 5

Content rating: 4 out of 5

There are some simply stunning images here – Joseph Holmes – Natural Light Photography – an amazing collection spanning over 2 decades. Here’s what’s on his front page as I write..

Hills, San Benito County, California, 1986

Via Alec Muffett.

Tags: photography

Tsotsi

Tsotsi

IMDB

Year: 2005

Category: Foreign

Media: Film

Rating: 5 out of 5

We’ve just come back from our local cinema after watching Tsotsi, a film revolving around the life of a young small-time gangster (the eponymous protagonist of the film, the nickname means “thug”). The main story is about what occurs when he steals a car and finds a baby in the back seat and how that effects him and his life in the townships.

The tag line is “In this world… redemption just comes once”, but don’t go to this film thinking your going to see some heart-warming, gently humorous film – this is raw, hard hitting and very confronting.

It’s also damn good, and will keep you on edge right to the very end wondering what’s going to happen. It’s also very moving, and as the IO Film review very aptly puts it:

If you leave unaffected, or not even the slightest bit teary, then you have no heart.

A very worthy winner of the Oscar for Best Foreign Language Film.

Review: Memoirs of a Geisha

Memoirs of a Geisha

IMDB

Year: 2005

Director: Rob Marshall

Length: 155 minutes

Category: Drama

Media: Film

Studio: Sony Pictures

Rating from Australia: M

Rating: 3 out of 5

For our third film in a week we saw Memoirs of a Geisha, and whilst it was a good film it didn’t quite measure up to the previous two (TransAmerica and Kenny) for either of us. Whilst Donna had read the book before I hadn’t, but we both came away with the same feelings that it was a good film but not quite as good as the others.

The acting was OK, but Gong Li as the thorougly malicious Hatsumomo did better than Ziyi Zhang (who played the lead role) who was probably a bit too quiet for me, and Donna felt that the character in the book was stronger than she came across in the film. That seemed to mirror the rest of the acting, some was very good and some was OK.

The settings, camera work and feel of the film was very good and the sound was also well done, but it still didn’t quiet get out of the “good” area into the “great” area, which was a bit of a shame.

As I said, I’ve not read the book, so I wonder a little about why the historical background against which the film is set (1930’s through to 1940’s) is so far in the background. There is a radio announcer reading news at time, but he is barely audible and it was hard to work out what he was saying. There is no feeling that Japan is at war, either in China or in the Pacific until Japanese troops evacuate their town and I’ve got this nagging feeling that this has had to be suppressed because of what happened in China. Manchuria is mentioned in passing a couple of times, but that’s about it.

Transamerica – the whole is more than the sum of its parts

Transamerica

IMDB

Year: 2005

Writer: Duncan Tucker

Director: Duncan Tucker

Producer: Rene Bastian

Length: 103 minutes

Category: Drama

Media: Film

Studio: Belladonna Productions LLC

Distributor: Hopscotch Productions

Rating from Australia: MA

Cast:

  • Bree Osbourne: Felicity Huffman
  • Rating: 4 out of 5

    We saw this film tonight and liked it, it’s rather a turnup for an American film, it’s thoughtful, deep and has something to say (unlike a lot of what we have been conditioned to think of as film from the US).

    Felicity Huffman plays Bree, a person on the cusp of gender reassignment who suddenly discovers that she has a son she fathered, unknowingly, 17 years before. When her counsellor finds out before her operation she refuses to authorise the operation until she has met him and come to terms with it.

    The situation gets more complicated when it turns out he’s in jail for theft and is involved in drugs, using prostitution to pay for it and for his life on the street. When Bree bails him she initially plans to take him to his step-fathers by car, but events rapidly develop a life of their own as they cross the country. It’s hard to say much more without giving the whole story away!

    This is a well made film with no special effects, just a good story with some very good acting.

    Be warned, this film doesn’t pull its punches on the details of gender reassignment. 🙂

    Kenny: A Dramatised Documentary with Heart, Soul and Sewage

    Kenny

    IMDB

    Year: 2006

    Writer: Shane Jacobson, Clayton Jacobson

    Director: Clayton Jacobson

    Producer: Shane Jacobson, Clayton Jacobson, Rohan Timlock

    Category: Comedy

    Media: Film

    Studio: Thunderbox Films

    Distributor: Madman Entertainment

    Rating: 5 out of 5

    Today Donna and I went to the first audience screening for a new Australian film called Kenny. It’s a fake documentary following the life and work of a portaloo person, Kenny, who works for a Melbourne company called Splashdown as he copes with customers, family, the public and, of course, sewage.

    Kenny is much more than just a very funny film, it’s a film with a good heart and a sharp eye on the human condition – especially where it concerns those “invisible” folks doing the dirty work that keeps society going. The filming is great and it makes quite a convincing documentary, the character of Kenny is strong, humble, funny and very warm hearted.

    The authenticity is helped by the fact that Splashdown is a real Melbourne company (doing “Corporate Bathroom Rentals” – the owner Glenn Preusker is the sole investor in the film) who lent them the equipment, yard and vehicles. You could say that’s the ultimate in product placement, and sure, it won’t do their image any harm, but that’s not what the story is, the story is how Kenny copes with lifes ups and downs with good grace and humour – whether that be trying to persuade a new recruit to retrieve a lost wedding ring at a festival, defending their precious thunderboxes from this years annual torching at a race meet or coping with your first flight to the US.

    It was my first time at a test screening and what we got to see was not the finished movie, still left to do is doing the sound (we had the audio from the camera used, which was still damn good & added to the authenticity in my book), fixing up the colour matching between scenes and some tidying up. The films creator, producer and director Clayton Jacobson (IMDB entry) was there to introduce the film and lead discussion and questions afterwards, but also there was Kenny himself (believed to be Claytons brother Shane) and a number of others from the cast (ex-wife, son, co-worker) and the camera man.

    The audience reaction was brilliant, they loved the film. A couple felt there was a flat bit prior to the trip to the US, but to me (and according to Clayton) that was because Kenny was going through a difficult patch and that life isn’t all roses. It also gave a good contrast to what came after.

    Anyway, I think it was an awesome film and well worth going to see when it comes out!It’s being distributed in Australia by Madman Entertainment and is due out around July – keep an eye out for it.Oh, and Clayton, if you read this, any chance of keeping the soundtrack we heard at the test screening as an alternate option on the DVD ? Please ? 🙂

    Tags:

    Review: Test Screening of New Australian Film : Kenny

    Today Donna and I went to the first audience screening for a new Australian film called Kenny. It’s a fake documentary following the life and work of a portaloo person, Kenny, who works for a Melbourne company called Splashdown as he copes with customers, family, the public and, of course, sewage.

    Kenny is much more than just a very funny film, it’s a film with a good heart and a sharp eye on the human condition – especially where it concerns those “invisible” folks doing the dirty work that keeps society going. The filming is great and it makes quite a convincing documentary, the character of Kenny is strong, humble, funny and very warm hearted.

    The authenticity is helped by the fact that Splashdown is a real Melbourne company (doing “Corporate Bathroom Rentals” – the owner Glenn Preusker is the sole investor in the film) who lent them the equipment, yard and vehicles. You could say that’s the ultimate in product placement, and sure, it won’t do their image any harm, but that’s not what the story is, the story is how Kenny copes with lifes ups and downs with good grace and humour – whether that be trying to persuade a new recruit to retrieve a lost wedding ring at a festival, defending their precious thunderboxes from this years annual torching at a race meet or coping with your first flight to the US.

    It was my first time at a test screening and what we got to see was not the finished movie, still left to do is doing the sound (we had the audio from the camera used, which was still damn good & added to the authenticity in my book), fixing up the colour matching between scenes and some tidying up. The films creator, producer and director Clayton Jacobson (IMDB entry) was there to introduce the film and lead discussion and questions afterwards, but also there was Kenny himself (believed to be Claytons brother Shane) and a number of others from the cast (ex-wife, son, co-worker) and the camera man.

    The audience reaction was brilliant, they loved the film. A couple felt there was a flat bit prior to the trip to the US, but to me (and according to Clayton) that was because Kenny was going through a difficult patch and that life isn’t all roses. It also gave a good contrast to what came after.

    Anyway, I think it was an awesome film and well worth going to see when it comes out!

    It’s being distributed in Australia by Madman Entertainment and is due out around July – keep an eye out for it.

    Oh, and Clayton, if you read this, any chance of keeping the soundtrack we heard at the test screening as an alternate option on the DVD ? Please ? 🙂

    Review Score: 4.5 out of 5! 

    Joyeux Noël – Merry Christmas

    We went to see Joyeux Noël tonight, a film about the Christmas 1914 fraternisation between the opposing sides in the First World War.

    We both thought it was a really good film (well, asides from the lip synch for the opera singing), very moving and showing that the people in the trenches on both sides were human, no matter what the propaganda might have said. Of course as a fictionalisation of the real events purists may find things to complain about, but as a depiction of those trying to remain alive & keeping their humanity in the midst of so much death it really works.

    It’s probably best to go and see it without reading about the film first because I’ve found that some of the sites that talk about it don’t really do it justice – not even the official site.

    Returning to the question of what actually happened, the First World War site has an extensive section on the Christmas Truce and this section I thought summed things up nicely.


    With their morale boosted by messages of thanks and their bellies fuller than normal, and with still so much Christmas booty to hand, the season of goodwill entered the trenches. A British Daily Telegraph correspondent wrote that on one part of the line the Germans had managed to slip a chocolate cake into British trenches.


    Even more amazingly, it was accompanied with a message asking for a ceasefire later that evening so they could celebrate the festive season and their Captain’s birthday. They proposed a concert at 7.30pm when candles, the British were told, would be placed on the parapets of their trenches.


    The British accepted the invitation and offered some tobacco as a return present. That evening, at the stated time, German heads suddenly popped up and started to sing. Each number ended with a round of applause from both sides.


    The Germans then asked the British to join in. At this point, one very mean-spirited Tommy shouted: ‘We’d rather die than sing German.’ To which a German joked aloud: ‘It would kill us if you did’